ELEV45 PLUGIN SKETCHUP SERIES

I love how traditional architectural elevations rendered in the Beaux Arts style provided shadows showing the depth and relief of the faГ§ade. It is my inner mathematician colliding with my inner architect. In this tutorial Brian takes us through the steps he uses to align the sun.

ELEV45 PLUGIN SKETCHUP SERIES

He used the SketchUp renderings of the Portland Gas & Coke and twelve west buildings to create a series of fine art prints. As an artist, BrianвЂ™s primary medium has been printmaking. He has a passion for where, when and how the sun enters a space. He has a PhD in Computer Science from the University of Washington, and a Master of Architecture degree from the University of Oregon. This setting should also apply a 80:0 light:dark balance to obtain accurate colours.ДЄt the very least, this sort of option should be available in LayOut 2020 as a style! (however LayOut alone wonвЂ™t help me all that much because I render most of my elevations in a 3rd party renderer (I want realistic vegetation which is applied as a proxy).ДЄnyway, good thread bump! & belated kudos from me too for helping to solve an irritating issue with a helpful workaround.Brian Lockyear is a computational designer in Portland, Oregon, using and developing sustainable design tools for architecture. This issue seems easy to solve through a new option within SketchUpвЂ™s shadow settings panel that enables a 45-deg shadow (from left or right) as a style override (like a checkbox) which is not tied to the modelвЂ™s location. This becomes substantially more effort if there are multiple buildings to create elevations of. So your method will work, but it does require a second model file & reference to be set up. However architectural elevations need 45deg shadows (and accurate colour values for materials).We do need proper geolocation (for shadow/sunlight studies).I also find it incredibly frustrating that setting 45-deg shadows (extension) will mean that the modelвЂ™s accurate location is lost forever. Thanks for posting - I think this method will work for some of the current templates IвЂ™m using. wow this is an interesting thread that appears to have been overlooked because it was placed into the tutorials section.Secondly, I agree with your approach here. I think Sketchup helps to bring back at least a sense of that pride in oneвЂ™s craft, making tools for compelling graphics withing the reach of all of us!

Forget about shadows and depth, people donвЂ™t even use lineweight anymore!Д¬ontrast that with the artful Beaux-Arts works that made something beautiful out of the act of communicating intent. No wonder the graphical quality of CAD-forward drawings left so much to be desired. Working in AutoCAD was a demoralizing and soul-crushing part of my career that was so removed from what I thought Architecture would be that I donвЂ™t know how anyone stays in the profession. I actually have worked through, AutoCAD, VectorWorks, and Revit before getting to Sketchup and the arrival has been like coming home. Designers, engineers, and drafts-people should use every tool at their disposal to create a clear vision. Drawing (or 2d representation of 3D ideas I should say) is a language that is tasked with communicating complex concepts. An open cube helps to demonstrate.ДЇirst off, kudos to you for making compelling, descriptive, and beautiful graphics part of your goals for Sketchup. In order to leave my original model unscathed, IвЂ™ve created an empty template file with the sun set as best as possible to 45В°. IвЂ™m aware TIG wrote a plugin and there are possibly other ways to mess with your model to achieve the results, but I settled on a simple method that doesnвЂ™t mess up my original model (either geolocation or other settings), and doesnвЂ™t need anything but native tools.ДЇirst off, what I do buildвЂ™s on what I showed in this post about turning the entire building into a component, and then re-orienting it for different views: DonвЂ™t move the sun to it, move it to the sun. It helps to give depth to 2D drawings, and, in fact, is scalable information about the third dimension (out of the paper) If an object projects 3 feet out from a surface, the shadow will fall 3 feet over and 3 feet down. An architectural drafting tradition since the beginning of the Г‰cole des Beaux-Arts is to cast shadows in elevation and section (if not plan as well) at 45В° from upper left to lower right regardless of where the sun actually would be.

Elev45 plugin sketchup